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Hace 4 días · John Coltrane’s Civil Rights elegy “Alabama” first appeared on Live at Birdland (1964), though it was recorded in Van Gelder Studio, Englewood Cliffs, New Jersey on November 18, 1963 – three months after the dramatic events surrounding the 16th Street Baptist Church bombing of September 15, 1963.
Hace 3 días · Many of these writers were poets and a good many jazz poems were written in homage to specific jazz artists, especially saxophonist John Coltrane, who was probably the most popular jazz musician among the black intelligentsia at this time, or in imitation of the flow and spontaneity of jazz.
Hace 5 días · This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
Hace 3 días · President’s Breakfast – Industrial Strength Funk In A Dub Stylee. A truly unhinged private press oddity from San Francisco-based band President’s Breakfast, Industrial Strength Funk In A Dub Stylee is exactly what it’s name entails.
Hace 1 día · John Coltrane - "1963: New Directions" 1963: New Directions showcases all of the music John Coltrane recorded throughout this historic year. This box set (available as a 5-LP, 3-CD, and on digital platforms) highlights everything Coltrane recorded in 1963 in the order these songs were recorded.
Hace 4 días · Take a listen to any of John Coltrane Quartet's records, and you'll here the distinctive drumming of the late Elvin Jones working the groove. In the 1960s, few were as talented on the drums than Jones, whose aggressive style of drumming paved the way for the "free jazz" movement.
Hace 4 días · “Blue in Green” was first recorded on March 17, 1959 by trumpeter Miles Davis, pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonist John Coltrane. It is the third track, as well as one of two ballads, on Davis’ Kind of Blue, released by Columbia Records on August 17, 1959.
