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Hace 4 días · It’s not hard to imagine how the public reacted to Arnold Schoenberg’s song cycle Pierrot Lunaire (Moonstruck Pierrot) when it premiered in 1912. To start, there’s the text, full of grotesque, blasphemous, and graphic, lascivious imagery.
Hace 3 días · In seinem «Pierrot Lunaire» für Sprechstimme, Klavier, Flöte, Klarinette, Violine und Cello ... Eine sehenswerte Ausstellung im Wiener Arnold-Schönberg-Center, ...
Hace 4 días · Compositor, escritor, profesor, teórico, pintor, inventor, en la disciplina musical, Arnold Schönberg es ícono del Modernismo musical, figura destacada de la Escuela de Viena, fundador del dodecafonismo, marcando el curso de la historia de la música después de 1900.
Hace 4 días · Celebrating the 100th anniversary of its U.S. premiere this season, Arnold Schoenberg’s Pierrot Lunaire is one such work; a piece of music that almost from its inception has left a long-enduring impact, in both content and concept, on the way composers imagine the human voice, the spheres of poetry and text, and the very nature of ...
Hace 4 días · Time & place. The short snippet of sheet music in the introductory section of the book comes from Arnold Schoenberg’s Pierrot Lunaire (1912), a melodrama in twenty-one songs for voice and chamber ensemble. It’s one of Schoenberg’s most famous works, and it’s a magnificent encapsulation of the weird, overwrought explosion of artistic cross-pollination that was happening in Modernist Vienna.
Hace 4 días · Depression, a pervasive mental health issue, often necessitates innovative therapeutic interventions. This study explores the efficacy of music therapy, a non-pharmacological approach, in ameliorating depression symptoms in a murine model. Employing a chronic unpredictable mild stress (CUMS) model to induce depressionlike behaviors in mice, we investigated the therapeutic potential of four ...
Hace 4 días · The Rite of Spring [n 1] (French: Le Sacre du printemps) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1913 Paris season of Sergei Diaghilev 's Ballets Russes company; the original choreography was by Vaslav Nijinsky with stage designs and costumes by Nicholas Roerich.
