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  1. www.sarahsze.comSarah Sze

    Sarah Sze. Sarah Sze. Tanya Bonakdar GalleryGagosian GalleryVictoria Miro GalleryContacts. Page 1 - Next page.

  2. gagosian.com › artists › sarah-szeSarah Sze | Gagosian

    13 de jun. de 2024 · Sarah Sze gleans objects and images from worlds both physical and digital, assembling them into complex multimedia works that shift scale between microscopic observation and macroscopic perspective on the infinite.

  3. en.wikipedia.org › wiki › Sarah_SzeSarah Sze - Wikipedia

    Sarah Sze (/ ˈ z iː /; born 1969) is an American artist and professor of visual arts at Columbia University. Sze's work explores the role of technology, information, and memory with objects in contemporary life utilizing everyday materials. Her work often represents objects caught in suspension.

  4. Sarah Sze: Timelapse. Past Exhibition March 31–September 10, 2023. Emerging as an artist in the 1990s, Sarah Sze (b. 1969, Boston) has built a distinct visual language that blurs the boundaries between various mediums including painting, sculpture, sound, print, drawing, video, and architecture, challenging the threshold between digital and ...

  5. www.moma.org › artists › 7962Sarah Sze | MoMA

    Sarah Sze (; born 1969) is an American artist and professor of visual arts at Columbia University. Sze's work explores the role of technology, information, and memory with objects in contemporary life utilizing everyday materials. Her work often represents objects caught in suspension.

  6. www.victoria-miro.com › artists › 33-sarah-szeSarah Sze | Victoria Miro

    Since the late 1990s, Sarah Sze has developed a signature visual language that challenges the static nature of sculpture. Sze draws from Modernist traditions of the found object, dismantling their authority with dynamic constellations of materials that are charged with flux, transformation and fragility.

  7. 6 de abr. de 2023 · Beyond objects, Sze explores how time registers in art. The show’s title, “Timelapse,” suggests both the passage of time and the way artists manipulate it.