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  1. Victoria’s are the most well-known, but equally beautiful and arguably more dramatic are the settings composed by Gesualdo and Couperin. The Gesualdo is intense with the Couperin atmospheric, yet both compliment each other perfectly on another world-class recording from Tenebrae.

  2. Victoria’s Lamentations, also for Holy Saturday, sit conveniently adjacent to Gesualdo’s Tenebrae Respon-sories in this recording, and since he died only two years earlier (in the year of the Gesualdo’s publication), it forms a worthy point of polar comparison. The wonder of Victoria’s music lies in his perfection of everything

  3. 1 de ene. de 2023 · Title: Tenebrae factae sunt Composer: Tomás Luis de Victoria. Number of voices: 4vv Voicing: TTBB, and, in transposition, SSAT, SATB Genre: Sacred, Tenebrae responsory. Language: Latin Instruments: A cappella . First published: 1585 in Tenebrae Responsories (Tomás Luis de Victoria), no. 8

  4. www.tenebrae-choir.com › wp-content › uploadsWWW.TE NEBRAE-CHOIR

    recent recording on Deutsche Grammophon of Gesualdo Tenebrae Responsories and Victoria Lamentations for Holy Saturday receiving a five-star review in The Times (London). Tenebrae is dedicated to supporting contemporary composers, and recent recordings have focused on works by Joby Talbot, Paul Mealor, Will Todd and Alexander Levine.

  5. Tenebræ factæ sunt. Et inclinato capite emisit spiritum. Exclamans Jesus voce magna ait à 3 (SST) First Publication. 1585 in Officium Hebdomadæ Sanctæ (No.20) Genre Categories. Responsories; Religious works; For 4 voices; For unaccompanied voices; Scores featuring the voice; Latin language.

  6. Some of the most famous settings of the text are by Tomás Luis de Victoria (two settings for four voices: 1572 and 1585), Carlo Gesualdo (five voices: 1603; six voices: 1611), Marc-Antoine Charpentier, Second répons après la 1ère leçon du second nocturne du Vendredi saint, H.134, for 1 voice, flutes and continuo (1690) and Pablo ...

  7. 10 de mar. de 2013 · Tenebrae's faultless control and balance bring the sacred texts to life, including some wild modulations and sudden side-slips.