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Drawing on Bergman’s own upbringing and ongoing spiritual crises, the films of the trilogy examine the necessity of religion and question the promise of faith.
1 de mar. de 2021 · Do you get frustrated with all the secular shows on TV? If so, here you'll find a compiled list of Christian Movies and Series for 2021 you can't do without!
21 de ago. de 2020 · Last but not least, we have the film that is titled The Silence, in a trilogy about the silence of God, which features very limited religious symbolism compared to what you may expect. Our two main characters are Ester (Ingrid Thulin) and Anna (Gunnel Lindblom), two sisters in a European country that is gearing up for war.
Each film employs minimal dialogue, eerily isolated settings, and searing performances from such Bergman regulars as Max von Sydow, Harriet Andersson, Gunnar Bjornstrand, Ingrid Thulin and Gunnel Lindblom in their evocation of a desperate world confronted with Gods desertion.
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I've been exploring Ingmar Bergman's filmography this year. Nearly every one has blown me away, most notably Persona, Cries & Whispers and his trilogy of Faith. That is: Through a Glass Darkly. Winter Light. The Silence. In these three, Bergman explores themes of God, God's silence and faith.
This thesis examines seven films from the cinemas of Ingmar Bergman and Andrei Tarkovsky—Bergman’s The Seventh Seal (1957), Through a Glass Darkly (1961), Winter Light (1963), and The Silence (1963), and Tarkovsky’s Stalker (1979), Nostalghia (1983), and The Sacrifice (1986).
