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Erich Karl Heinrich Kettelhut (1 November 1893 – 13 March 1979) was a German production designer, art director and set decorator. Kettelhut is considered one of the most important artists in the history of early German cinema, mainly for his set direction for Die Nibelungen (1924) and his design and visual effects for Metropolis ...
5 de may. de 2017 · The following decade Fritz Lang and his production designer Erich Kettelhut imagined a similar city of the future, a hybrid of contemporary Chicago and a great factory or steelworks with lifts...
The production designer, art director and set designer Erich Kettelhut worked together with artists Otto Hunte and Karl Vollbrecht to design the impressive Metropolis cityscape and interiors. Kettelhut’s sketches show how the style of Art Deco inspired the team and found its way into the film’s design.
11 de oct. de 2012 · But the most stunning aspect of Metropolis is its set designs by Erich Kettelhut, inspired by Lang’s first glimpse of New York City’s skyline, suggested in our exhibition in photographs by William Rittase and Karl Struss from the teens and twenties.
Erich Kettelhut. Biography. Erich Karl Heinrich Kettelhut, born November 1, 1893, in Berlin, as the son of a master tailor, already started to sketch and draw during his school days.
Las películas de Erich Kettelhut son Metrópolis, Berlín, El doctor Mabuse, Los nibelungos - 1ª parte: La muerte de Sigfredo
Erich Kettelhut was born on 1 November 1893 in Berlin, Germany. He was a production designer and art director, known for Metropolis (1927), Die Herrin der Welt, 7. Teil - Die Wohltäterin der Menschheit (1920) and Die Herrin der Welt 4. Teil - König Macombe (1919).
