Resultado de búsqueda
Untitled #6 is among these paintings, which are not actually black but are, rather, characterized by a palette of deep grays. Close viewing reveals the signature subtle variations in her ruled lines that impart visual complexity to the work’s surface and soften its severity.
Agnes Martin, Untitled #6, 1996. Acrylic and graphite pencil on canvas, overall: 60 × 60 in. (152.4 × 152.4 cm). Whitney Museum of American Art, New York; gift of The American Art Foundation 97.24. © Estate of Agnes Martin / Artists Rights Society (ARS), New York.
‘Untitled #6’ was created in 1980 by Agnes Martin in Minimalism style. Find more prominent pieces of abstract at Wikiart.org – best visual art database.
From Colby College Museum of Art, Agnes Martin, Untitled #6 (1994), Acrylic and graphite on canvas, 60 1/8 × 60 1/8 in
Untitled #6 is a celebrated example of Martin's aesthetic from the mid-1980s onwards. Broad, evenly spaced, horizontal bands of close-toned pewter and pale gray, and in other examples warm taupes and blue-grays, lie in a state of perpetual flux.
Painted in 1983, Agnes Martin’s Untitled #6 is an essay on how the physical act of painting can evoke the sublime. Each of the elements in this canvas—the scale, the cool palette of ethereal tones, the minimalist composition, and even the process of creating the painting itself—encapsulates Martin’s belief that art should not be a ...
Learn about this artwork by Agnes Martin in the Guggenheim's Collection Online.
