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  1. Wright, Erik Olin. Cita: Wright, Erik Olin (2010). Envisioning Real Utopias. London: Verso. ... are capable of dynamic change, of responding to the needs of the people and evolving accordingly, rather than of institutions which are so perfect that they need no further change.

  2. 29 de dic. de 2018 · The Usonian houses were Wright’s response to the Great Depression and the demand for inexpensive housing for those affected by the economic downturn. These are often considered the beginning of modern ranch houses.

  3. If there is a quintessentially anti-urban master, it is Frank Lloyd Wright. After all, his great urbanistic utopia is Broadacre, which he published under the title The Disappearing City, and his militant ruralism has been indistinctly associated with Jefferson’s gentleman farmer, Emerson’s return to nature, or Olmsted’s picturesque gardens.

  4. Como la polémica exposición del Guggenheim en 2009, la obra de Levine reivindica el Wright operístico tardío, entre la ciencia ficción y las mil y una noches, y en su caso desde la reivindicación de su espíritu urbano: un logro colosal que abre inmensas avenidas a la discusión crítica.

  5. Frank Lloyd Wright's Broadacre City seems anomalous in twentieth century urban history. First presented in 1930 as a critique of existing American cities, the project developed into a program for territorial decentralization over the ensuing decade.

  6. 8 de abr. de 2010 · These words were written before suburban sprawl became America’s architectural legacy and the source of social discontent. Wright is sometimes remembered as the prophet of suburbia and environmental degradation. He called for “a new standard of space measurement—the man seated in his automobile.”.

  7. In response, Frank Lloyd Wright came up with an urban Utopia of his own: Broad­acre City. “Imag­ine spa­cious land­scaped high­ways,” Wright wrote in 1932, “giant roads, them­selves great archi­tec­ture, pass pub­lic ser­vice sta­tions, no longer eye­sores, expand­ed to include all kinds of ser­vice and com­fort.