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Untitled #6 is among these paintings, which are not actually black but are, rather, characterized by a palette of deep grays. Close viewing reveals the signature subtle variations in her ruled lines that impart visual complexity to the work’s surface and soften its severity.
«Intitulado#6» (Agnes Martin, 1985): Una de las pinturas más emblemáticas de Martin, esta obra presenta líneas delicadas y sutiles en una paleta de colores suaves, generando una experiencia visual de calma y contemplación característica de su estilo minimalista.
Agnés Martin (22 de marzo de 1912-6 de diciembre de 2004), fue clasificada como pintora minimalista canadiense aunque ella se definía a sí misma como la última pintora expresionista abstracta. Nació en Macklin (Saskatchewan), Canadá en 1912.
‘Untitled #6’ was created in 1980 by Agnes Martin in Minimalism style. Find more prominent pieces of abstract at Wikiart.org – best visual art database.
Agnes Martin, Untitled #6, 1996. Acrylic and graphite pencil on canvas, overall: 60 × 60 in. (152.4 × 152.4 cm). Whitney Museum of American Art, New York; gift of The American Art Foundation 97.24. © Estate of Agnes Martin / Artists Rights Society (ARS), New York.
Untitled is a key example of the biomorphic style that Agnes Martin worked in between 1954 and 1958, which was characterized by contrasting organic shapes floating over a light background.
Untitled #6 is a celebrated example of Martin's aesthetic from the mid-1980s onwards. Broad, evenly spaced, horizontal bands of close-toned pewter and pale gray, and in other examples warm taupes and blue-grays, lie in a state of perpetual flux.