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  1. 25 de oct. de 2008 · Theater of Belief: Afro-Atlantic Costuming and Masking in Large-Format Color Photographs by Phyllis Galembo at the North Carolina State University African American Cultural Center and at the Frankie G. Weems Art Gallery at Meredith College.

  2. 10 de sept. de 2008 · Phyllis Galembo: Masquerade, A Decade. September 10–October 25, 2008. Steven Kasher Gallery, 521 West 23rd Street (near 10th Ave.). Information: 212/966-3978. The first gallery exhibition of Phyllis Galembos large-scale color photographs of masked revelers in ritual performances.

  3. Steven Kasher Gallery artist Phyllis Galembo's Mexico series will be on view at the New Gallery of Modern Art from October 20th to November 27th. Her portraits capture the transformative power of costume and ritual and were taken at religious and cultural events in Mexico from 2008-2017.

  4. Phyllis Galembo has pioneered capturing masquerade as an expression of global human creativity and spirituality. Her interest in diverse performative masking is viewed within the contemporary art world as a conceptual project with broad relevance that extends into specialized fields of performing identity through movement and fiber arts, which ...

  5. photographmag.com › interview › march-april-2020-interviewPhyllis Galembo - Photograph

    Maske, an exhibition on view at Florida’s Boca Raton Museum of Art before it closed temporarily because of the coronavirus, showcases the unique place that Phyllis Galembo has established for herself in contemporary photography. For more than four decades, she has been traveling primarily throughout Africa and the Americas to…

  6. 3 de may. de 2019 · Galembo, who has spent much of her career documenting masquerade and ritual in places like Africa and Haiti, is this month releasing Mexico, Masks & Rituals, a book that compiles ten year’s worth of her captivating photography in the country.

  7. 1 de jul. de 2011 · Her most recent monograph, Phyllis Galembo: Maske (London: Chris Boot Ltd, 2010), features a selection of her photographs and commentary, and an introduction by art historian and curator Chika Okeke-Agulu, himself a masquerade participant during his childhood in Nigeria, for whom Galembo's photographs raise questions about the ...