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Kinoshita Keisuke (born Dec. 5, 1912, Hamamatsu, Shizuoka prefecture, Japan—died Dec. 30, 1998, Tokyo) was one of Japan’s most popular motion-picture directors, known for satirical social comedies.. A motion-picture enthusiast from boyhood, Kinoshita attended Hamamatsu Technology School and Oriental Photography School. He became an assistant cameraman at the Shochiku Motion Picture Company ...
Keisuke Kinoshita (木下 惠介,, Kinoshita Keisuke?, 5 de dezembro de 1912 – 30 de dezembro de 1998) foi um diretor de cinema e roteirista japonês. [2] Embora menos conhecido internacionalmente do que seus contemporâneos Akira Kurosawa, Kenji Mizoguchi e Yasujirō Ozu, ele era uma figura muita famosa em seu país natal, amado pela crítica e pelo público entre as décadas de 1940 e 1960.
Hugely popular in his home country of Japan, Keisuke Kinoshita worked tirelessly as a director for nearly half a century, making lyrical, sentimental films that often center on the inherent goodness of people, especially in times of distress. He began his directing career during a most challenging time for Japanese cinema: World War II, when the industry’s output was closely monitored by the ...
24 de ago. de 2022 · 特集「木下惠介と戦場の固き約束」 生涯49本の映画を世に送り出した木下惠介監督は2022年に生誕110周年を迎えます。戦前に生まれ、中国の戦場での実体験は戦後の木下映画の原点の一つになったとも言えます。木下惠介は戦争に対する複雑な心境を描いた50本目の作品『戦場の固き約束』を計画 ...
Keisuke Kinoshita's films include Dodes'ka-den, Ballad of Narayama, Twenty-four Eyes, She Was Like a Wild Chrysanthemum We use cookies to ensure that we give you the best experience on our website. Click here for more information. Accept Reject. Try 7 Days Free; Now Showing; Notebook ...
Keisuke Kinoshita Shoko Araki Target speaker extraction, which aims at extracting a target speaker's voice from a mixture of voices using audio, visual or locational clues, has received much interest.
30 de dic. de 1998 · Keisuke Kinoshita (木下 惠介, Kinoshita Keisuke, December 5, 1912 – December 30, 1998) was a Japanese film director. Hugely popular in his home country of Japan, Keisuke Kinoshita worked tirelessly as a director for nearly half a century, making lyrical, sentimental films that often center on the inherent goodness of people, especially in times of distress.
