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  1. Encounter with Werner Schroeter: Directed by Monika Treut. With Werner Schroeter, Monika Treut. The late German film, theatre and opera director Schroeter is a self-proclaimed dinosaur from another age when people dreamed of ultimate freedom in film". Filmmaker Treut visits him on the set of his feature "DEUX" in Paris, and in Düsseldorf during the production of the opera "Norma".

  2. 21 de abr. de 2010 · Werner Schroeter, a German film and stage director whose flair for lush visuals and heightened emotions introduced an operatic sensibility to the New German Cinema movement of the 1970s, died on ...

  3. Aber nicht nur die Lage hat sich verändert, auch seine Freunde: Während eine hemmungslose Miliz die Stadt terrorisiert, versucht jeder nur noch seine eigene Haut zu retten. Es bleibt nur diese Nacht zur Flucht. Regie-Legende Werner Schroeter verfilmt den Roman Juan Carlos Onettis in opulenten Bildern, düster und schönheitstrunken.

  4. 24 de ene. de 2003 · Thomas Elsaesser once described Werner Schroeter as “the German cinema’s greatest marginal filmmaker.”. (1) Indeed, beginning his fimmaking career in the 1960s, Schroeter has been an important and influential proponent of the New German Cinema, although his personal eccentricities and refusal to use conventional narrative tools in his ...

  5. Werner Schroeter. Home. Biografía. Filmografía. Actividades Director , Guionista , Actor más. Nacionalidad. Alemán. Nacimiento 7 de abril de 1945 (Goergenthal - Alemania) Muerte 12 de abril de ...

  6. One must regain a sense of wonder. —Werner Schroeter. WERNER SCHROETER’S ECSTATIC FARRAGOES OF death and transfiguration aspire to the florid corporeality of Comte de Lautréamont’s Chants de Maldoror (1869). The German director—who died in 2010 at the age of sixty-five, with twenty-three feature-length films and as many shorts to his credit—revered the Surrealist avant la lettre’s ...

  7. Werner Schroeter. “I have no intention whatsoever of playing a leading part [in the New German Cinema], and submit to the expectations of producing Kulturscheisse [literally, Cultureshit], even if it may be true that I carry around with me and into my films the past of this Kulturscheisse.”.

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