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  1. Marlene Dietrich. (Marie Magdalene Dietrich; Berlín, 1901 - París, 1992) Actriz cinematográfica alemana. Hija de un policía y de una dama de buena cuna, desde muy pequeña recibió una formación muy severa que cuidaba tanto sus modales y educación como su manera de vestir. Esta formación y sus aptitudes musicales la introdujeron en el ...

  2. 29 de jun. de 2017 · Dietrich was born in Berlin in 1901. But by the 1930s, she was stridently denouncing the rise Nazi Germany; and after becoming a U.S. citizen in 1939 and making more than 500 appearances ...

  3. Marlene Dietrich (maɐˈleːnə ˈdiːtʁɪç, Berlin, Njemačka, 27. prosinca 1901. – Pariz, Francuska, 6. svibnja 1992.) bila je njemačko-američka glumica i pjevačica. U Berlinu 1920-ih, glumila je u kazalištu i u nijemim filmovima. Njen lik Lola-Lole iz filma Plavi anđeo, redatelja Josefa von Sternberga, donio joj je međunarodnu slavu i ugovor s američkom filmskom kompanijom ...

  4. In Christmas of 1936, Marlene Dietrich received an unwanted message from an unidentified German visitor. The message was that the Fuhrer wanted her to come home. Dietrich’s reply was so brutal, it’s unforgettable. Not only did she reject them outright, she immediately applied for US citizenship.

  5. Marlene Dietrich filmography. A still from Shanghai Express (1932). Josef von Sternberg used butterfly lighting to enhance Dietrich's features. Marlene Dietrich (27 December 1901 – 6 May 1992) was a German and American actress and singer. In the 1920s, she acted on the Berlin stage and in silent films, making her film debut in 1922.

  6. Marlene Dietrich in L'angelo azzurro (). Nell'ottobre dello stesso anno firmò il contratto per interpretare il film che le diede la fama, L'angelo azzurro, con la regia di Josef von Sternberg, tratto da un romanzo di Heinrich Mann, fratello del più famoso Thomas. In questo film, che è anche il primo film sonoro del cinema tedesco, la si vede sfoderare un tocco di perversa sensualità e ...

  7. 4 de may. de 2017 · Contaba 89 años cuando Marlene Dietrich, convertida ya en un mito del séptimo arte declaraba en las páginas de La Vanguardia, sentirse ‘la mujer más sola del

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