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For information on other films based on the George Kelly play, please consult the entry for the 1946 M-G-M production The Show-Off, directed by Harry Beaumont and starring Red Skelton and Marilyn Maxwell (see AFI Catalog of Feature Films, 1941-50).
The Show-Off (1946) Skelton recreates the role of J. Aubrey Piper from the Broadway production of George Kelly's play by the same name. Skelton, whose medium was comedy and in his younger days, could do a prat-fall as good as Peter Sellers, made his fortune with a face that seemed made from putty and that marvelous element necessary to all good ...
The Show-Off (1946) NR 12/01/1946 (US) Comedy 1h 23m User Score. What's your Vibe? Login to use TMDB's new rating system. Welcome to Vibes, TMDB's new rating system! For more information, visit the contribution bible. AN M-G-M HOWL! Overview. Chaos is ...
The Show-Off is a 1946 American comedy film directed by Harry Beaumont based on the play of the same name by George Kelly. It stars Red Skelton and Marilyn Maxwell. It was previously filmed in 1926 as The Show-Off starring Ford Sterling, Lois Wilson and Louise Brooks and in 1934 as The Show-Off with Spencer Tracy and Madge Evans. Lois Wilson also appeared in the 1934 version, but in a ...
Aubrey Piper (Red Skelton) is a big-talking blowhard with huge ambitions and very little smarts. After lying and bragging about his past, he's eventually able to convince the gorgeous Amy Fisher ...
The Show-Off is a 1946 film directed by Harry Beaumont based on the play by George Kelly. It stars Red Skelton and Marilyn Maxwell. It was previously filmed in 1926 as The Show Off starring Ford Sterling, Lois Wilson and Louise Brooks and in 1934 as The Show-Off with Spencer Tracy and Madge Evans. Lois Wilson also appeared in this one, but in a ...
The Show-Off is a 1924 stage play by George Kelly about a working-class North Philadelphian family's reluctance to accept their daughter's suitor Aubrey Piper, an overly confident Socialist buffoon. The play has been revived five times on Broadway and adapted for film four times; it is Kelly's most frequently produced play.
