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Loïe Fuller’s appearance shocks traditional society from Córdoba, but at the same time it brings winds of change acting as a prelude to modern times. However, more than five decades will have to pass before scenic dance gains its own place in Córdoba. Key words Loïe Fuller, Serpentine Dance in Córdoba, Loïe Fuller in “la Docta”
Touring made her internationally famous, and consumers everywhere lined up to buy Loie Fuller hats, shoes, and petticoats. She became a star of the Folies Bergère, and her Fire Dance sparked a sensation at the Paris Exposition Universelle in 1900. A modern dance pioneer, Loie Fuller paved the way for such other women dancers as Isadora Duncan.
La loïe Fuller sur la piste, 1893, huile sur papier, coll. part. La Loïe Fuller aux Folies-Bergère, 1893, huile sur carton, coll. mTL L’huile sur carton, que l’on peut considérer comme une oeuvre aboutie, prépare une série de lithographies dont le musée Toulouse-Lautrec conserve un tirage : Miss Loïe Fuller, 1893, lithographie en couleurs, 37 x 26 cm.
Loïe Fuller. / 48.8567°N, 2.3519°E / 48.8567; 2.3519. Marie Louise Fuller o, com es feia dir, Loïe Fuller ( Illinois, 15 de gener de 1862 - París, 1 de gener de 1928) fou una intèrpret coneguda a la Belle Èpoque pels seus espectacles de cabaret o varietats en els quals movia grans mocadors i creava efectes de llum, en el que ...
Extrait du film de Stéphanie Di Giusto La Danseuse. Scène de performance de Loïe Fuller aux Folies Bergère interprétée par Soko. Chorégraphie de Jody Sperlin...
The exuberant posters of Parisian nightlife that French artist Jules Chéret began producing in the 1860s helped launch an international poster craze in the late nineteenth century. Chéret was known for his brilliant colors-described by one critic as "a hooray of reds, a hallelujah of yellows and a primal scream of blues"-but the effects of his 1893 poster of American dancer Loïe Fuller were ...
In this excerpt from the collective volume Nouvelle Histoire de la danse en Occident, published in 2020 by Editions du Seuil, the dance scholar Adeline Chevrier-Bosseau examines Loïe Fuller through the prism of this artistic, aesthetic and political revolution.
