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  1. Description. The Dick Tracy camera was sold by the Seymore Procucts Company of Chicago from about 1947, using a 1938 design by Jack Galter. It was an inexpensive candid type camera constructed of heavily molded Bakelite with a decorative metal faceplate indicating the model name. The Art Deco style is shown by the stepped, curvilinear shape of ...

  2. High-quality Dick Tracy Wall Art designed and sold by artists. Shop unique custom made Canvas Prints, Framed Prints, Posters, Tapestries, and more.

  3. Zora was killed and Boris was wounded and captured by Dick Tracy and a posse. Art Dekko (1980) - Art forger and high class painting thief. Wounded by Tracy after he tried to ambush Detective in art gallery. Spoof of Art Deco style. Arthur "Nip" Dalton (1937) - Member of the Redrum Slot Machine Gang of 1926.

  4. Dick Tracy 1983. ILLUSTRATIONS BY RICK FLETCHER. Villains, fear, anxiety, triggers, violence, death, criminal justice. Look closely at the powerful ink lines and clear lettering. They enlist your imagination. They bring the story to life. Witness the weapons, technologies and noir-style of Chester Gould illustrated by the masterful hands of ...

  5. Dick Tracy es una tira de prensa estadounidense, protagonizada por el personaje homónimo, quien lucha contra el crimen desde su trabajo de inspector de policía. Fue creada por Chester Gould en 1931, fue muy bien recibida en la cultura popular, y tuvo multitud de adaptaciones a otros medios.

  6. Chester Gould (American 1900-1985) Ink drawing of Dick Tracy signed and inscribed 'TO / HIRSH / COHEN / with best / wishes / CHESTER / GOULD' ink on Dick Tracy letterheaded paper 28 x 21.5cm Footnote: Born in Oklahoma in 1900, Chester Gould is most widely acclaimed for his creation of the iconic Dick Tracy comic strip which was distributed by the Chicago Tribune, New York News Syndicate ...

  7. 18 de abr. de 2016 · Dick Tracy both celebrated and mollified those shared terrors. Knee-jerk reactions to modern art, and a dame at the firing range. Gould's angular, flat artwork of the mid-1950s held obvious appeal to the Pop Art generation, who celebrated the ready-made crassness of American detritus, without digging too deep into what made it tick.