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  1. www.youtube.com › watchAmarcord (1973) ️ Película Completa en Español - Fellini

    10 de ago. de 2023 · Amarcord es una comedia dramática de 1973 dirigida por Federico Fellini, una historia semiautobiográfica sobre Titta, un adolescente que crece entre un excén...

  2. www.youtube.com › watchAMARCORD FEDERICO FELLINI, 1/2 Subt. EN PT - YouTube

    4 de dic. de 2020 · Dear YouTuber, Thank You For Watching! Merry Christmas 🌟 AMARCORD [1973] di FEDERICO FELLINIFederico Fellini (Rimini, 20 gennaio 1920 - Roma, 31 ottobre 199...

  3. www.mitele.es › a-contra-plus › fellini-8-12Ver 'Fellini 8 1/2' completa online - mitele

    Guido Anselmi es un director de cine que atraviesa una crisis de creatividad mientras intenta inútilmente hacer una nueva película. Su esposa, su amante, su productor y su actriz principal, lo acosan y presionan de una u otra manera.

  4. www.imdb.com › title › tt00568018½ (1963) - IMDb

    8½: Directed by Federico Fellini. With Marcello Mastroianni, Claudia Cardinale, Anouk Aimée, Sandra Milo. A harried movie director retreats into his memories and fantasies.

  5. www.criterion.com › shop › browseFederico Fellini films on Disc and Streaming | The Criterion...

    Federico Fellini Quick Shop Essential Fellini Collector’s Set Quick Shop Watch & shop. Tim Blake Nelson’s Closet Picks. Watch & shop. Harris Savides’s Closet Picks. Advanced Filters. Formats; Popular Searches; Genres; Directors; Countries; Decades; Gifts; Apply Reset. 16 Results Found. Formats. 16 Results Found

  6. www.bbc.com › culture › articleWhat makes Federico Fellini ‘the maestro’ of Italian cinema? -...

    12 de nov. de 2018 · Martin Scorsese, for one, recently admitted that he re-watches Fellini’s 1963 masterpiece 8 1/2 every year. “8 1/2 has always been a touchstone for me, in so many ways,” he said. “The ...

  7. www.rogerebert.com › reviews › great-movie-8-12--eight-and-a-half-19638 1/2 movie review & film summary (1963) | Roger Ebert

    28 de may. de 2000 · The conventional wisdom is that Federico Fellini went wrong when he abandoned realism for personal fantasy; that starting with "La Dolce Vita" (1959), his work ran wild through jungles of Freudian, Christian, sexual and autobiographical images. The precise observation in "La Strada" (1954) was the high point of his career, according to this view, and then he abandoned his neorealist roots.