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Faster, Pussycat! Kill! Kill! is a 1965 American exploitation film directed by Russ Meyer and co-written by Meyer and Jack Moran. It follows three go-go dancers who embark on a spree of kidnapping and murder in the California desert. The film is known for its violence, provocative gender roles, and eminently quotable "dialogue to shame Raymond Chandler".
"Faster Kill Pussycat" is the first single from British producer Oakenfold's second studio album, A Lively Mind (2006). The song features American actress Brittany Murphy's vocals and was co-written by singer-songwriter Kelli Ali (former vocalist of British trip hop group Sneaker Pimps).The title of the track is a play on the title of the movie Faster, Pussycat!
Three strippers seeking thrills encounter a young couple in the desert. After dispatching the boyfriend, they take the girl hostage and begin scheming on a crippled old man living with his two sons in the desert, reputedly hiding a tidy sum of cash. They become house guests of the old man and try and seduce the sons in an attempt to locate the ...
'Faster Kill Pussycat', featuring American actress Brittany Murphy, is the first single from Paul Oakenfold's 2006 album A Lively Mind.Spotify: https://spoti...
Faster Pussycat es una banda de Sleaze rock formada en Los Ángeles, Estados Unidos, en el año de 1986, tomando su nombre de una película llamada Faster, Pussycat! Kill! Kill!, dirigida por Russ Meyer en 1965. Musicalmente tomaron inspiración de algunas bandas de Hard rock, Rock & Roll, Glam Rock y Punk Rock como The Rolling Stones, Aerosmith, Sex Pistols, New York Dolls, Kiss, Hanoi Rocks ...
Faster, Pussycat! Kill! Kill! est réalisé sur le même modèle que son précédent film (Motorpsycho) qui mettait en scène trois motards dans une traversée meurtrière du désert californien. Meyer a l'idée de remplacer son casting d'hommes par des femmes.
Meyer wrote, directed, and edited Faster, Pussycat! Kill! Kill!, but the show is stolen by the trio of women at its core, who uncork outrageous line deliveries and anchor much of the film’s iconic imagery. A deliriously overdetermined time-bomb of a movie, Faster, Pussycat! Kill! Kill! remains one of cinema’s most gleefully subversive road ...
