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Paisan: Directed by Roberto Rossellini. With Carmela Sazio, Robert Van Loon, Benjamin Emanuel, Raymond Campbell. American military personnel interact warily with a variety of Italian locals over a year and a half in the push north during the Italian Campaign of WWII as German forces make their retreat.
Paisà è un film a episodi del 1946 diretto da Roberto Rossellini.. Seconda pellicola della Trilogia della guerra antifascista, è considerata una delle vette del cinema neorealista italiano. Girata con attori prevalentemente non professionisti, rievoca l'avanzata delle truppe alleate dalla Sicilia al Nord Italia attraverso sei episodi: Sicilia, Napoli, Roma, Firenze, Appennino Emiliano ...
9 de jul. de 2009 · Paisà’s impersonal, almost sociological analysis of the political conflicts, betrayals and suffering on all sides of the liberation does indeed mark such a break . However, it is precisely on these terms that Rossellini’s later work comes to be criticised, for abandoning neo-realism’s proper socio-political task for the “involution”, individualism and spiritualism of his later work.
Paisà forms the second part of Rossellini’s acclaimed War Trilogy and is a classic of neo-realist cinema. 1946 Italy. Directed by. Roberto Rossellini. Produced by. Roberto Rossellini, Rod E. Geiger, Mario Conti, Renato Campos, Robert Lawrence. Written by. Sergio Amidei, Federico Fellini, Roberto Rossellini.
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Roberto Rossellini’s follow-up to his breakout Rome Open City was the ambitious, enormously moving Paisan, which consists of six episodes set during the liberation of Italy at the end of World War II, and taking place across the country, from Sicily to the northern Po valley. With its documentary-like visuals and intermingled cast of actors and nonprofessionals, Italians and their American ...
The Italian cinema reached a turning point when Roberto Rossellini made Paisan, his 1946 omnibus film about the U.S. invasion of Italy at the end of World War II.More than any other film, Paisan embodied every element of neo-realism, the style that would characterize the best of the country's post-war films. Where Rossellini's first international triumph, Open City (1946) had combined its ...
