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8 de nov. de 2020 · Kodar korediteljka i koscenaristkinja. Prvi film na kojem je Oja Kodar potpisana kao koscenaristkinja i korediteljka je francusko-iransko-zapadnonemački dokumentarni film iz 1973. godine Istine i laži, prevođen i kao F kao falsifikat (u originalu na engleskom F for Fake i na francuskom Vérités et Mensonges).
Summary Creator: Welles, Orson, 1915-1985 and Kodar, Oja Abstract: The Orson Welles – Oja Kodar Papers includes scripts, production documents, photographs, and other materials from Orson Welles's work in film and other media. General correspondence, topical files, papers related to Oja Kodar, and personal materials also make up a portion of collection.
Oja Kodar. Highest Rated: 92% They'll Love Me When I'm Dead (2018) Lowest Rated: 73% Magician: The Astonishing Life and Work of Orson Welles (2014) Birthday: Not Available. Birthplace: Dubrava ...
Oja Kodar (Zagreb, 1941.), hrvatska glumica, scenaristica, redateljica i kiparica, najpoznatija kao ljubavnica, muza i suradnica Orsona Wellsa.. Rođena je kao Olga Palinkaš u Zagreba u obitelji oca Mađara i majke Hrvatice.Wellsa je upoznala 1961. godine u Zagrebu na snimanju prizora za njegov film Proces.Tada 46-godišnji Welles, u to vrijeme u braku sa svojom trećom ženom, talijanskom ...
22 de ago. de 2021 · In this video essay, Laura Ivins considers Orson Welles' F for Fake, the male gaze, and how actress Oja Kodar functions in the film. Visit IU Cinema's blog, ...
Early Life & Career. Oja Kodar was born Olga Palinkaš, in 1941, in Zagreb, the capital city of Croatia, to a Hungarian father and a Croatian mother. In 1966, Kodar and her lover, American filmmaker Orson Welles, began shooting 'The Deep' on the Yugoslav coast. He had cast her in one of the lead roles in the project.
28 de jul. de 2018 · Oja Kodar in a scene from The Other Side of the Wind.. Oja Kodar made her first public comments about Orson Welles’ The Other Side of the Wind since signing the deal with Netflix that allowed its long-awaited completion to begin. Speaking with the Croatian Audiovisual Centre, Kodar said Friday that she has opted not to see the finished film until its official release.
