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  1. Hace 4 días · Luther Vandross was an extraordinary singer who sold out concerts worldwide with a voice that can't be duplicated or imitated. He's missed and loved by many....

  2. Hace 4 días · Released in 1991, “I (Who Have Nothing)” is a powerful and emotionally charged song performed by Luther Vandross, featuring Martha Wash. The song was written by Carlo Donida, Mogol, Jerry Leiber, and Mike Stoller, and it is a part of Vandross’ album titled “Power of Love”.

  3. Hace 3 días · Lyrics like “I hope you never lose your sense of wonder / You get your fill to eat but always keep that hunger” inspire a zest for life, making it a perfect backdrop for a father-daughter dance. This song invites the bride and her father to reflect on past memories while looking forward to the future with optimism.

  4. Hace 5 días · The Bodyguard: Original Soundtrack Album is a soundtrack album from the film of the same name, released on November 17, 1992, by Arista Records. The album's first side (in its original LP and cassette formats) features songs recorded by American singer Whitney Houston, who starred in the film, while side two features the work of various artists ...

  5. Hace 4 días · The Vandross family was a musical one, and from an early age, Luther was exposed to the black pop music of the day. His first piano lessons came at the age of three. His sister Pat was a member of ...

  6. Hace 1 día · 5. Luther: Never Too Much. Luther: Never Too Much (From: IMDB) Get ready to ‘feel the love’, because Luther Vandross is finally getting the documentary treatment he deserves. Directed by Dawn Porter, “Luther: Never Too Much” follows Vandross’s journey from being a background singer to becoming a soul music icon.

  7. Hace 1 día · Young Americans is the ninth studio album by the English musician David Bowie, released on 7 March 1975 through RCA Records.A departure from the glam rock style of previous albums, the record showcased Bowie's interest in soul and R&B.Music critics have described the sound as blue-eyed soul; Bowie himself labelled the album's sound "plastic soul".