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From Kimiko Ishizaka's Open Well-Tempered Clavier. Master tracks available here. Lossless files are 96 kHz/24-bit, compressed with flac. Lossy files have been converted with LAME, MP3 VBR V0. Purchase
Prelude and Fugue in E minor, BWV 855, is the 10th prelude and fugue for keyboard (harpsichord) in the first book of The Well Tempered Clavier, composed in 1722 by Johann Sebastian Bach. [1] The Prelude in E minor, BWV 855a, features as No. 18 ("Praeludium 5") in the 1720 Klavierbüchlein für Wilhelm Friedemann Bach.
The well-tempered Clavier, or Preludes and Fugues through all the tones and semitones, both as regards the tertiam majorem or Ut Re Mi [i.e., major] and tertiam minorem or Re Mi Fa [i.e., minor].
Das wohltemperierte Klavier I, BWV 846-869 (Bach, Johann Sebastian) This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in the General Information section below.
In this Prelude fresh artistic devices are built upon one another, showing in fact the super-position of the Florid Instrumental Cantilena above the basis of the typical figures and chains of chords as seen in Preludes I and II, while in its elaborate and impassioned Recitative work it is, in affinity of principle, closely allied to Prelude VIII.
In BWV 1,2,2a, the main collection is identified as BWV 846–869, with the earlier C major and E minor preludes identified separately as BWV 846a and 855a respectively. In BWV 3 , the earlier versions are identified as BWV 846.1–869.1 and the standard version as BWV 846.2–869.2.
The haunting five-voice fugue in B-flat minor has several characteristics which are notable. First, it is one of the rare fugues with five voices (there are two in Book 1 of the Well-Tempered Clavier, and none in Book 2). Second, the theme features a dramatic and expressive leap of a minor 9th (the big jump upwards between the 2nd and 3rd notes).
