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Edward Kienholz, American, 1927 - 1994 John Doe , 1959 Oil, metallic paint, resin, plaster, and graphite on mannequin parts with wood, metal, plastic, paper, rubber, and stroller
Edward Kienholz ( Fairfield (Washington) 23 de octubre de 1927 – Idaho 10 de junio de 1994) fue un artista estadounidense especializado en instalaciones. Su trabajo fue sumamente crítico de diversos aspectos de la vida moderna.
Este artista californiano utilizaba objetos encontrados para crear lienzos concebidos para la crítica social; en el fondo fue Duchamp quien, a principios de los sesenta, arrojó el guante del ready-made a su generación con la intención de que descubriesen su belleza estética.
Edward Ralph Kienholz (October 23, 1927 – June 10, 1994) was an American installation artist and assemblage sculptor whose work was highly critical of aspects of modern life.
John Doe, his first free-standing construction, wryly synthesizes the artist’s view of the modern American male. It has been described well: John Doe . . . is a creature composed of a male department store dummy cut in half with the clothed upper portion facing front and greeting one with his desperate smile of friendship.
Edward Ralph Kienholz (October 23, 1927 – June 10, 1994) was an American installation artist and assemblage sculptor whose work was highly critical of aspects of modern life. From 1972 onwards, he assembled much of his artwork in close collaboration with his artistic partner and fifth wife, Nancy Reddin Kienholz.
Edward Ralph Kienholz (October 23, 1927 – June 10, 1994) was an American installation artist and assemblage sculptor whose work was highly critical of aspects of modern life. From 1972 onwards, he assembled much of his artwork in close collaboration with his artistic partner and fifth wife, Nancy Reddin Kienholz.
