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  1. 7 de mar. de 2011 · In atemporal cinema, formal distortions of time introduce spectators to an alternative way of experiencing existence in time—or, more exactly, a way of experiencing existence out of time.

  2. In Out of Time, Todd McGowan takes as his starting point the emergence of a temporal aesthetic in cinema that arose in response to the digital era. Linking deve...

  3. Out of Time: Desire in Atemporal Cinema. Todd McGowan. U of Minnesota Press, 2011 - Art - 285 pages. In Out of Time, Todd McGowan takes as his starting point the emergence of a temporal...

  4. Liberating time from chronology and measurement is the project of the final section of Being and Time. There, Heidegger argues that the clock creates a public idea of time as a series of instants that disguises the prior temporality of Dasein that makes the sense of time possible.

  5. 16 de feb. de 2011 · Out of Time: Desire in Atemporal Cinema. Paperback – February 16, 2011. In Out of Time, Todd McGowan takes as his starting point the emergence of a temporal aesthetic in cinema that arose in response to the digital era.

  6. In Out of Time, Todd McGowan takes as his starting point the emergence of a temporal aesthetic in cinema that arose in response to the digital era.

  7. McGowan, Todd Out of Time: Desire in Atemporal Cinema. University of Minnesota Press, 2011. INTRODUCTION The Origins of the Atemporal Film THE TEMPORAL REVOLUTION The fundamental theoretical effort of the twentieth century was the attempt to integrate time into thought.